McCarthey Gallery
Thomas Kearns McCarthey Gallery
 

Welcome to The McCarthey Gallery

The Thomas Kearns McCarthey Gallery is one of the foremost dealers in the United States dealing with Russian Impressionistic art.  The Gallery maintains an extensive inventory of collectible works by Russia's most respected artists during the period of 1930 to 1980.  The Gallery carefully selects paintings that are historically significant, original in composition, interesting in form and beautiful in their depiction of the human spirit.  We have been working in Russia for many years and have developed close personal relationships with many of the artists and their families.  Together with our associated gallery in Russia, Dacha Art, and our Russian partners, we maintain extremely close ties with the arts community in Russia and the former Soviet republics.  In addition to our Russian specialization, the TKM Gallery is proud to work with talented artists from other countries who have the spirit of the Russian art.

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Our February Silent Auction Painting

As our silent auction selection for February, we are pleased to present a wonderful work, "Woman's Portrait by noted Byelorussian artist Piotr Serapionovich Krokholev.

P. Krokholev, who survived the Great Patriotic war and graduated from the renowned Repin Institute, is a true master.

In Krokholev's work you can see that he was greatly influenced by the traditions of Russian art and by it's famed painters such as V. Surkilov, Valendtin Serov, Mikhail Vrubel, Ilja Repin, Isaak Levitan, Ivan Shishkin and others.

He primarily painted portraits and landscapes which vividly depicted his native land in all its beauty, history and present-day life.

In 1970 Krokholev was bestowed the title of "Honored Artist of Belarus and was a constant participant in All-Union, Republic and Regional exhibitions. He participated in several international exhibitions as well (China, Romania, England, Poland and Japan). His works are in the collections of the Byelorussian State Museum Mink, regional Russian Museums and the Springville Museum, USA.

1501- Krokholev- Womans Portrait

Piotr S. Krokholev, "Woman's Portrait"
31" x 27", 1948, Oil on Canvas
Estimate $4,000 to $5,000- unframed
Winning Bid $750 by A. 

Congratulations to J. Rizner who placed the winning bid of $1,000 for January's silent auction painting, "Spring on the Dubrovka River" by Vladimir V. Filippov. Estimated at $3,500 to $4,000.

As our February silent auction selection, we are pleased to present this wonderful work, "Woman's Portrait", by Piotr Serapionovich Krokholev, estimated at $4,000- $5,000.

Piotr Serapionovich Krokholev, like all the artists of his generation, was profoundly affected by the Great Patriotic War. The brutal attack on the Motherland that cost the country 20 million lives is the lens through which this generation of Russians sees life. For many artists, this leads to endless battle scenes and artistic documentation of the war. Krokholev takes another track. His response to the horror is just the opposite. Krokholev paints portraits and genre portraits that are full of vigor, life and beauty. Krokholov writes in his journals that he paints to show the result of the sacrifice of the great war. He justifies the unimaginable pain. His paintings reflect the reason why everyone fought. The young beneficiaries of this unspeakable experience.

In this painting, "Woman's Portrait", Piotr Serapionovich celebrates a simple serene moment and the simple beauty of this young woman.

We invite you to participate in this month's auction and thank everyone who placed bids last month. This is an exceptional opportunity to add a beautiful work by a noted artist to your collection. Estimated at $4,000 to $5,000, the current high bid is just $500! The next bid is $750, followed by minimum bidding increments of $250. Remember, there is no reserve, at the end of the auction the high bid wins!

Bids will be taken via telephone, or e-mail until 7:00 pm MST, Friday, February 28th. Follow all the bidding updates on the Gallery's website.

Tel: 801-755-7072

email: i This e-mail address is being protected from spambots. You need JavaScript enabled to view it

website: www.McCartheyGallery.net

Please, e-mail bids only to This e-mail address is being protected from spambots. You need JavaScript enabled to view it and make sure your receive confirmation of your bid. Note that you may place a maximum bid and the Gallery will bid on your behalf up to your maximum. By placing a maximum bid you will be assured you are not out bid at the last minute.

Good luck!

Stephen Justesen, Gallery Director

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Good luck!

Stephen Justesen, Gallery Directoe 

Piotr Serapionovich Krokholev, 1919- 1997

Piotr Krokholev, a Minsk painter, Merited Art Worker of the Byelorussian Republic, was born on October 5, 1919 in the District of Shadrinsk of the Kurgan Region (Russia).

In 1933-1937 Krokholev studied at the Pedagogical College in the city of Sverdlovsk where the family moved to. In 1937 he entered the Sverdlovsk Art College and studied there only three years. In 1939 Krokholev was called to serve in the army. Krokholev was a participant of the Great Patriotic War.

On demobilizing, in 1945, Krokholev became a student of the Repin Institute (Leningrad). His teachers at the Institute were V. Oreshnikov, A. Mylnikov, I. Serebrjanny, Y. Neprintsev, B. Fogel. In 1952 he graduated from the Leningrad Repin Institute. "The Arrest of T.G. Shevchenko in 1859" was his graduation work.

Krokholev's creative activity is greatly influenced by the traditions of Russian art and such painters as V. Surkilov, Valendtin Serov, Mikhail Vrubel, Ilja Repin, Isaak Levitan, Ivan Shishkin, Titian, El Greco, Van Deik and others.

"To paint means for me to portray our Motherland," says Krokholev. Krokholev paints pictures, portraits and landscapes vividly depicting his native land in all its beauty, history and present-day life. Land and its people are the main theme of P. Krokholev's paintings. His Organization of a Collective Farm in 1929 (1957), Land Collectivization (1967, a triptych), First Commune in Byelorussia (1969), Towards New Life (1972) reproduce very well the sweeping changes in the life of the Byelorussian village under collectivization. Former Marches (1958), Having Seen Off Those Leavings for the Front (1968). Before An Operational Sortie (1974) portray the feats of the people in the Great Patriotic War.

A great deal of the artist's pieces are portraits of collective farmers (Portrait of a Collective Farmer [1961], Portrait of a Herdsman [1962], Portrait of a Fishman [1949] and landscapes depicting the beautiful nature of the artist's native land, Early in April [1962], Birch Trees [1963], and Spring Vyacha River [1965]).

Instructor of the Byelorussian Institute of Theatrical Art (Minsk), P. Krokholev devoted much time and energy to educating young artists.

In 1970 Krokholev was awarded the title of the Merited Art Worker of the Byelorussian SSR.

Krokholev was a constant participant of All-Union, Republic and Region exhibitions. He participated in several international art exhibitions as well (China, Romania, England, Poland and Japan). His works are in the collection of the Byelorussian State Museum Mink, regional Russian Museums and the Springville Museum, USA.

Piotr Serapionovich Krokholev, 1919- 1997

In 1939 he graduated from the Sverdlovsk Art College.

In 1952 he graduated from the Institute of Painting, Sculpture and Architecture. Repin.

He worked in all genres of easel painting.

Since 1956, the Belarusian Union of Artists.

Since 1970 - Honored Artist of Belarus.

He taught at the Minsk Art School (1953-1956), the Belarusian Polytechnic Institute (1956-61), Belorussian Theatre and Art Institute (1961-1995). Professor (since 1982).

P.Kroholeva works are in the National Art Museum of Belarus, Museum of Modern Art in Minsk, the funds of the Belarusian Union of Artists, Mogilev Regional Art Museum. P.Maslennikova.

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 Featured Paintings! 

1884 Nechitailo

 

 

 

 

 

 

 

 

 

  

 

Nechitailo, Vasily Kirillovich
"Steelmaker"
1969; 78¼" x 31"
Oil on Canvas, Estimate $25.000

Vasili Kirillovich Nechitailo was born in Nikolaevskoe, the province of Rostov-on-Don, in 1915. In 1931 he began his study of art at the Krasnodar Art Tekhnikum where he remained until 1935. In 1935 the artist entered into preparatory art courses at the Surikov Institute. After approximately two years of preparation, Nechitailo enrolled in the Moscow Art Institute as a full time student under the tutelage of the revered professor Alexander Gerasimov. He attended the Institute from 1937 to 1942. The artist then enrolled in their graduate program in 1942. In 1943, while still attending the Surikov, Nechitailo and 11 other academically accomplished artists were evacuated to Samarkand, Uzbekistan for the duration of the war. It looked like Moscow might fall to the Germans so the Soviet government decided to evacuate their most promising artists who they saw as cultural assets. He returned and completed his graduate degree in 1944. He was honored with the opportunity to teach at the Surikov Institute from 1948 until 1956. Vasili Nechitailo began to actively exhibit in 1945. Nechitailo died in Moscow in 1980.

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Awards: (partial list)

Named "People's Artist of Russia", 1965
Repin Prize, 1971
Member-correspondent of the Soviet Association of Artists, 1972

Exhibitions: (partial list)
1946- All-Union Art Exhibition", Moscow
1947- All-Union Art Exhibition", Moscow
1949- All-Union Art Exhibition", Moscow
1951- All-Union Art Exhibition", Moscow
1955- All-Union Art Exhibition", Moscow
1960- "Soviet Russia", Moscow
1964- Solo exhibition, Moscow
1982- Solo exhibition, Moscow
2003-2004- "In the Russian Tradition" Smithsonian Institution, his work Nude, Masha was included in the show

Collections: (partial list)
Krasnodar Art Museum
Historical Museum, Moscow, On Red Square
Tretyakov Gallery (Museum), Moscow
State Russian Museum
Museum of Fine Arts in Volgograd
Kiev Museum of Russian Art
Russian Art Museum, St. Petersburg
Museum of Russian Art, Minnesota
Russia Artists' Union
Tretyakov Gallery (Museum), Moscow
State Art Museum of Turkmenia Republic

Books: (partial list)
1998 — Socialist Realist Painting by Matthew Cullerne Bown, 1998 — p. 331, On Kuban Virgin Land, 1958, Oil on Canvas, 31.5 x 59 in., Private Collection

Additional Information:
Nechitailo is a cousin of the famous Kugach family of artists.

"He understood the beauty of the process of painting, and the techniques he developed, in many ways, defined the classical standards that continued the cultural traditions of Soviet and Russian Realist art. His landscapes are distinguished for their composition and color harmony as well as for their exquisite and laconic style. His portraits of laborers, all healthy and strong, reflect his optimistic view of the typical Soviet village and collective farm after the war. As one critic has noted, his extraordinary paintings of people form a collective portrait of his time."

-The Museum of Russian Art, Minnesota

2583a

Stasevich, Ivan Nikiforovich
"Baikal Lake, Fishermen Are Working"
13'' x 17¾'', (33 x 45 cm)
1956, Oil on Board, $6,000  

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 Stasevich, Ivan Nikiforovich (1929- 1998)Honored Artist of Belarus 1985
Translated from the original Russian 

Ivan N. Stasevich, painter and honored artist of Byelorussia, was born on January 9, 1929 in the village of Medvednya, in Starodorozhensky district of Minsk region into a peasant family. During the war years, he became a fighter in the third brigade. He survived the blockade with the partisans. When Belarus was liberated, at the age of 15, he made enrolled in the motor-road unit of the 1st Belarusian Front. And during all the war years he drew war sheets, posters, road signs, the last of which is "To the Reichstag - 250 meters."

After the end of the war, in he enrolled in the Minsk Art College, graduating in 1952. He then left for Moscow and began his studies at the famed Suirikov Institute, graduating in 1958. His professors were noted artists G. M. Izergina, A. P. Mozalev, V. K. Tsvirko, and D. K. Mochalsky. His diploma work "In the Belarusian Swamps", which depicts the exit of partisans from the blockade, was exhibited at the All-Union art exhibition and was positively noted by critics. The subjects of fighting against Nazi remained very important for the artist in the subsequent years. There were such pictures as Life Everlasting, Oath (1965-1967), May (1945), and Happy Meeting (1969-1970). The subjects of the artist's pictures also reflected the optimistic attitudes of the post-war years, the years of construction work. In the 1960s, the artist worked at the construction site of Bratsk Hydropower Station where he painted portraits of wood-cutters, industrial landscapes and genre compositions, such as Angara, Angara (1960) and Winners of Padun Rapids (1961).

When he returned to Belarusia, the artist's creative work became closely connected with teaching. For many years, Stasevich worked in Minsk Institute of Theater and Art. An Associate Professor, and then a Professor of the Institute, he was awarded the title of Honored Artist of Belarus 1985.

He was always attracted by people close to him, powerful characters, ebullient life energy. In landscape painting he embodied the views of the south and north of Belarus. Throughout his life, he visited almost the entire Soviet Union, he was also in Italy, France and Portugal.

I.N. Stasevich was an active participant of all Russia's and all Belarusian exhibitions. Before the independence of Belarus from Russia, he was a member of the USSR Union of Artists.

I. N. Stasevich's works are included in many public and private collections (Belarus, Russia, Algeria, England, Austria, Belgium, Germany, India, Italy, Canada and others); including the National art Museum of the Republic of Belarus, the Belarusian Union of artists, the Museum of modern fine arts in Minsk, Vitebsk Museum of M. Shmarova, the Belarusian Museum of the great Patriotic war, Svetlogorsk and Gomel Museums, the Museum P. Masherov, Vitebsk, and the Ministry of culture of Russia. including in the homeland of the artist in the Starodorozhsky District Historical and Ethnographic Museum there are over 70 of his works. 22 works of painting and graphics by the master are included in the collection of the National Art Museum I. N. Stasevich passed away on on September 11, 1998 at the age off 66.

 

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Russian & Soviet Impressionism
Russia's Rich Cultural Heritage

impressionism-homeRussia's rich cultural heritage represents the best of human creativity. Its literature, music, visual and performing arts and architecture are among the most profound, compelling and beautiful expressions of the human spirit.

Much of this rich heritage is well known in the United States, such as the writing of Leo Tolstoy and Fyodor Dostoevsky, the music of Peter Tchaikovsky, Serge Prokofiev and Igor Stravinsky, the painting of Ilya Repin and Vassily Kadinsky, the architecture of the Kremlin and State Hermitage Museum and the dance of the Bolshoi Ballet.

Less well known in this tradition of creativity is the painting of the Russian Impressionist period, lasting from approximately 1930 to 1980. Russian Impressionism made an important contribution to the cultural heritage of Russia, but until recently, little has been known of its beauty and quality and its leading artists because of Soviet isolationism. During this period much of the cultural life in the Communist Soviet Union was denied Western exposure. The demise of Communism, the lifting of the Iron Curtain and the movement towards freedom and democracy of the newly formed Commonwealth of Independent States has allowed the world the opportunity to experience a unique and important historical past through the art work.

It is now being collected and recognized by art historians, museum directors, curators and collectors as some of the best art produced in the twentieth century. 

"Soviet Impressionism"- Vern G. Swanson

From a unique set of circumstances that would be impossible to duplicate, Soviet Art from 1930 to 1980 was the 20th century's major realist school of painting. It powerfully expresses itself with a simple clarity of pictorial language, consummate adeptness and truthful portrayal of life. The Soviet artist acted as a willing collaborator with and portrayer of the aspirations of society. This contrasted with Western models where artists were typically alienated from their community. Acceptance will come, using the Soviet phrase, because it is "historically inevitable". It is already to a certain extent here with the pictures from the period increasingly passing through the sale rooms of Europe and North America. This book should give wider understanding of this underrated but artistically exciting movement in Soviet art.

Read more about Russian Impressionism...

New Salt Lake City Gallery & Wharehouse

Good News! We are now fully settled into our new Gallery and Warehouse in downtown Salt Lake City and are ready to show you some great Russian Impressionist art. The majority of the works in the new Gallery have never been exhibited before!

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Mailing Address: 54 B Street, Salt Lake City, UT 84103
Tel: 801.755.7072
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Hours: By appointment or 6- 9 pm for Gallery Stroll (the third Friday of every month)

 

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Thomas Kearns McCarthey Gallery
444 Main Street
Park City, Utah 84060
Tel: 435-658-1691
Email: info@mccartheygallery.net