McCarthey Gallery
Thomas Kearns McCarthey Gallery
 

Welcome to The McCarthey Gallery

The Thomas Kearns McCarthey Gallery is one of the foremost dealers in the United States dealing with Russian Impressionistic art.  The Gallery maintains an extensive inventory of collectible works by Russia's most respected artists during the period of 1930 to 1980.  The Gallery carefully selects paintings that are historically significant, original in composition, interesting in form and beautiful in their depiction of the human spirit.  We have been working in Russia for many years and have developed close personal relationships with many of the artists and their families.  Together with our associated gallery in Russia, Dacha Art, and our Russian partners, we maintain extremely close ties with the arts community in Russia and the former Soviet republics.  In addition to our Russian specialization, the TKM Gallery is proud to work with talented artists from other countries who have the spirit of the Russian art.

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TWO Spring Silent Auctions

Congratulations to A. Peters who placed the winning bid of $750 for February's silent auction painting, "Woman's portrait" by Piotr S Krkholev. Estimated at $4,000 to $5,000. 

 

As our Spring silent auction selections, we are pleased to present TWO beautiful works for Spring, both by Master Landscape painters! "The Spring Meadow", by Vladimir P. Krantz, Estimated at $5,000 to $6,000 and "Spring in the Yard", by Vladimir Filippov, estimated at $4,000- $5,000.

   

We invite you to participate in the Spring Auction and thank everyone who placed bids last month. This is an exceptional opportunity to add astounding works by a noted artists to your collection.

 

Remember, there is no reserve, at the end of the auction the high bid wins!

Bids will be taken via telephone, or e-mail until 7:00 pm MST, Tuesday, June 3rd.

 

Follow all the bidding updates on the Gallery's website.

 

Please, e-mail bids only to  This e-mail address is being protected from spambots. You need JavaScript enabled to view it  and make sure your receive confirmation of your bid. Note that you may place a maximum bid and the Gallery will bid on your behalf up to your maximum. By placing a maximum bid you will be assured you are not out bid at the last minute. 

 

Tel: 801-755-7072

email:   This e-mail address is being protected from spambots. You need JavaScript enabled to view it

website:   www.McCartheyGallery.net

 

Good luck!

 

Stephen Justesen, Gallery Director

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Filippov, Vladimir Viktorovich
"Spring in the Yard"
17¼'' x 23½'', (44 x 60 cm)
2010, Oil on Canvas
Estimate $4,000 to $5,000- framed
Winning Bid $1,750 by M. Breidsprecher

Vladimir Viktorovich Filippov

 

Russia has a long tradition of the great master painters giving apprenticeship to the best of the next generation thereby keeping the venerated Russian tradition of realism alive. That is the case between the Russian master painter Yuri Petrovich Kugach and his student, Vladimir Viktorovich Filippov. They both live and work in the legendary artistic community of Academic Dacha.

 

About halfway between Moscow and St. Petersburg close to Tver, is the small village of "Akademichka" (or in English, "Academic Dacha"). It is about 10 kilometers off the main road, nestled in the Russian forest and graced by the shimmering Lake Mistino. The village has been the spiritual heart of Russian art since the village was founded in 1884. It has been the seasonal home of many of the great Russian artists over the last century and a half. The Academic Dacha initially served as a country refuge for impoverished or ailing artists from the Academy of Arts in St. Petersburg. Over time, the area increasingly became a favorite with students and professors who came to paint landscapes in the open air. The setting appealed so much to artists that many spent the greater part of their lives there, purchasing small country homes (dachas) nearby. From Repin to Levitan to Kugach and countless other greats, this small village has been painted more and has inspired more great art than any other place in Russia.

Even today, in this idyllic setting, many great artists still call Academic Dacha home. The place that housed the legendary Yuri Petrovich Kugach (who still paints at age 91) since 1951. Over the years, Yuri Petrovich has been a generous mentor to several promising artists. Kugach, who was named one of 'Russia's top twenty artists of the twenty first century' recently introduced us to one of his students. Yuri Petrovich told us that VLADIMIR VIKTOROVICH FILIPPOV was his finest student ever. Kugach told us that Vladimir Viktorovich's soul was imbued with Russia's nature. He said that while you can teach technique, color and composition---an artist's ability to 'feel' the land is unteachable. Kugach said that the instinct of greatness is genetic and that VLADIMIR VIKTOROVICH FILIPPOV has that very rare natural talent.

"Spring in the Yard" is a masterwork by one of Russia's most talented up-and-coming artists, and one of the Gallery's favorite painters, Vladimir V. Filippov. Vladimir has grown to be one of the most honored landscape artists painting in Russia today.

Filippov was trained, and lives in the renowned Russian art village "Akademicheskaya Dacha" or Academic Dacha, halfway between Moscow and St Petersburg. For more than 130 years, this village has been almost a sacred place to Russian artists. Filippov was introduced to the McCarthey Gallery by the master painter Yuri Kugach (recently deceased at age 97), who was named as one of the top 10 artists of Russia in the twentieth century. Under this tutelage, Filippov has become a respected and sought after Russian artist.

Vladimir Filippov captures the native Russian countryside with a vivid intimacy attesting to a love of life spent close to the land. The contrasts and vividness of colors in "Spring in the Yard" shows Filippov's impressive skills and natural talent in portraying the Russian countryside.

"Spring in the Yard" would make a stunning addition to any collection or a great painting to start your collection. Remember, there is no reserve, at the end of the auction the high bid wins! Bids will be taken via telephone, or e-mail until 7:00 pm MST, Tuesday, June 3rd.

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Krantz, Vladimir Pavlovich

"The Spring Meadow"

19¾'' x 27½'', (50 x 70 cm)

1978, Oil on Cardboard

Estimate $5,000 to $6,000- framed

Winning Bid $1,750 by C. Beiyun

Krantz was a master of the lyrical landscape and considered Nature as a his main teacher. He was drawn to the simple beauty of the Northern Russian forests and the seascapes of the Crimea. He painted with a unique eye towards nature's mystery, and his works rivet the eye by their romantic mood and masterful technique. He had a special gift for capturing the special light that filters the Russian wilderness, each season bringing its own distinct glow and drawing the viewer into the landscape.

 

"I visited Mr. Krantz at his studio in St. Petersburg shortly before his death in 2003. While he was close to blind and very weak, he lit up as I picked up paintings one-by-one and asked him if he could remember painting the particular work. Although he was slumped and ill, as I held up the painting, he seemed to come to life as he animatedly described each painting. Vivid with detail, excitement and overwhelming enthusiasm, he described the place and the people. It was almost as if he had painted the work that afternoon. For a few brief moments, the artist emerged and reveled in his life and his work. As we reached the end of the visit, he returned to his illness".  - Jim Dabakis

 

"The Spring Meadow," would make a stunning addition to any collection or a great painting to start your collection. 

We invite you to participate in this month's auctions and thank everyone who placed bids 's last month. Remember, there is no reserve, at the end of the auction the high bid wins!

Bids will be taken via telephone, or e-mail until 7:00 pm MST, Tuesday, June 3rd. Follow all the bidding updates on the Gallery's website.

Tel: 801-755-7072

email: This e-mail address is being protected from spambots. You need JavaScript enabled to view it
website: www.McCartheyGallery.net

Please, e-mail bids only to winfoMcCartheyGallery.net. Note that you may place a maximum bid and the Gallery will bid on your behalf up to your maximum bid.

Good luck!

Stephen Justesen, Gallery Director

Read the Full Spring Newsletter
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Place Your Bid

 

 Featured Paintings! 

1884 Nechitailo

 

 

 

 

 

 

 

 

 

  

 

Nechitailo, Vasily Kirillovich
"Steelmaker"
1969; 78¼" x 31"
Oil on Canvas, Estimate $25.000

Vasili Kirillovich Nechitailo was born in Nikolaevskoe, the province of Rostov-on-Don, in 1915. In 1931 he began his study of art at the Krasnodar Art Tekhnikum where he remained until 1935. In 1935 the artist entered into preparatory art courses at the Surikov Institute. After approximately two years of preparation, Nechitailo enrolled in the Moscow Art Institute as a full time student under the tutelage of the revered professor Alexander Gerasimov. He attended the Institute from 1937 to 1942. The artist then enrolled in their graduate program in 1942. In 1943, while still attending the Surikov, Nechitailo and 11 other academically accomplished artists were evacuated to Samarkand, Uzbekistan for the duration of the war. It looked like Moscow might fall to the Germans so the Soviet government decided to evacuate their most promising artists who they saw as cultural assets. He returned and completed his graduate degree in 1944. He was honored with the opportunity to teach at the Surikov Institute from 1948 until 1956. Vasili Nechitailo began to actively exhibit in 1945. Nechitailo died in Moscow in 1980.

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Awards: (partial list)

Named "People's Artist of Russia", 1965
Repin Prize, 1971
Member-correspondent of the Soviet Association of Artists, 1972

Exhibitions: (partial list)
1946- All-Union Art Exhibition", Moscow
1947- All-Union Art Exhibition", Moscow
1949- All-Union Art Exhibition", Moscow
1951- All-Union Art Exhibition", Moscow
1955- All-Union Art Exhibition", Moscow
1960- "Soviet Russia", Moscow
1964- Solo exhibition, Moscow
1982- Solo exhibition, Moscow
2003-2004- "In the Russian Tradition" Smithsonian Institution, his work Nude, Masha was included in the show

Collections: (partial list)
Krasnodar Art Museum
Historical Museum, Moscow, On Red Square
Tretyakov Gallery (Museum), Moscow
State Russian Museum
Museum of Fine Arts in Volgograd
Kiev Museum of Russian Art
Russian Art Museum, St. Petersburg
Museum of Russian Art, Minnesota
Russia Artists' Union
Tretyakov Gallery (Museum), Moscow
State Art Museum of Turkmenia Republic

Books: (partial list)
1998 — Socialist Realist Painting by Matthew Cullerne Bown, 1998 — p. 331, On Kuban Virgin Land, 1958, Oil on Canvas, 31.5 x 59 in., Private Collection

Additional Information:
Nechitailo is a cousin of the famous Kugach family of artists.

"He understood the beauty of the process of painting, and the techniques he developed, in many ways, defined the classical standards that continued the cultural traditions of Soviet and Russian Realist art. His landscapes are distinguished for their composition and color harmony as well as for their exquisite and laconic style. His portraits of laborers, all healthy and strong, reflect his optimistic view of the typical Soviet village and collective farm after the war. As one critic has noted, his extraordinary paintings of people form a collective portrait of his time."

-The Museum of Russian Art, Minnesota

2583a

Stasevich, Ivan Nikiforovich
"Baikal Lake, Fishermen Are Working"
13'' x 17¾'', (33 x 45 cm)
1956, Oil on Board, $6,000  

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 Stasevich, Ivan Nikiforovich (1929- 1998)Honored Artist of Belarus 1985
Translated from the original Russian 

Ivan N. Stasevich, painter and honored artist of Byelorussia, was born on January 9, 1929 in the village of Medvednya, in Starodorozhensky district of Minsk region into a peasant family. During the war years, he became a fighter in the third brigade. He survived the blockade with the partisans. When Belarus was liberated, at the age of 15, he made enrolled in the motor-road unit of the 1st Belarusian Front. And during all the war years he drew war sheets, posters, road signs, the last of which is "To the Reichstag - 250 meters."

After the end of the war, in he enrolled in the Minsk Art College, graduating in 1952. He then left for Moscow and began his studies at the famed Suirikov Institute, graduating in 1958. His professors were noted artists G. M. Izergina, A. P. Mozalev, V. K. Tsvirko, and D. K. Mochalsky. His diploma work "In the Belarusian Swamps", which depicts the exit of partisans from the blockade, was exhibited at the All-Union art exhibition and was positively noted by critics. The subjects of fighting against Nazi remained very important for the artist in the subsequent years. There were such pictures as Life Everlasting, Oath (1965-1967), May (1945), and Happy Meeting (1969-1970). The subjects of the artist's pictures also reflected the optimistic attitudes of the post-war years, the years of construction work. In the 1960s, the artist worked at the construction site of Bratsk Hydropower Station where he painted portraits of wood-cutters, industrial landscapes and genre compositions, such as Angara, Angara (1960) and Winners of Padun Rapids (1961).

When he returned to Belarusia, the artist's creative work became closely connected with teaching. For many years, Stasevich worked in Minsk Institute of Theater and Art. An Associate Professor, and then a Professor of the Institute, he was awarded the title of Honored Artist of Belarus 1985.

He was always attracted by people close to him, powerful characters, ebullient life energy. In landscape painting he embodied the views of the south and north of Belarus. Throughout his life, he visited almost the entire Soviet Union, he was also in Italy, France and Portugal.

I.N. Stasevich was an active participant of all Russia's and all Belarusian exhibitions. Before the independence of Belarus from Russia, he was a member of the USSR Union of Artists.

I. N. Stasevich's works are included in many public and private collections (Belarus, Russia, Algeria, England, Austria, Belgium, Germany, India, Italy, Canada and others); including the National art Museum of the Republic of Belarus, the Belarusian Union of artists, the Museum of modern fine arts in Minsk, Vitebsk Museum of M. Shmarova, the Belarusian Museum of the great Patriotic war, Svetlogorsk and Gomel Museums, the Museum P. Masherov, Vitebsk, and the Ministry of culture of Russia. including in the homeland of the artist in the Starodorozhsky District Historical and Ethnographic Museum there are over 70 of his works. 22 works of painting and graphics by the master are included in the collection of the National Art Museum I. N. Stasevich passed away on on September 11, 1998 at the age off 66.

 

Click to View Full Gallery Collection 

Russian & Soviet Impressionism
Russia's Rich Cultural Heritage

impressionism-homeRussia's rich cultural heritage represents the best of human creativity. Its literature, music, visual and performing arts and architecture are among the most profound, compelling and beautiful expressions of the human spirit.

Much of this rich heritage is well known in the United States, such as the writing of Leo Tolstoy and Fyodor Dostoevsky, the music of Peter Tchaikovsky, Serge Prokofiev and Igor Stravinsky, the painting of Ilya Repin and Vassily Kadinsky, the architecture of the Kremlin and State Hermitage Museum and the dance of the Bolshoi Ballet.

Less well known in this tradition of creativity is the painting of the Russian Impressionist period, lasting from approximately 1930 to 1980. Russian Impressionism made an important contribution to the cultural heritage of Russia, but until recently, little has been known of its beauty and quality and its leading artists because of Soviet isolationism. During this period much of the cultural life in the Communist Soviet Union was denied Western exposure. The demise of Communism, the lifting of the Iron Curtain and the movement towards freedom and democracy of the newly formed Commonwealth of Independent States has allowed the world the opportunity to experience a unique and important historical past through the art work.

It is now being collected and recognized by art historians, museum directors, curators and collectors as some of the best art produced in the twentieth century. 

"Soviet Impressionism"- Vern G. Swanson

From a unique set of circumstances that would be impossible to duplicate, Soviet Art from 1930 to 1980 was the 20th century's major realist school of painting. It powerfully expresses itself with a simple clarity of pictorial language, consummate adeptness and truthful portrayal of life. The Soviet artist acted as a willing collaborator with and portrayer of the aspirations of society. This contrasted with Western models where artists were typically alienated from their community. Acceptance will come, using the Soviet phrase, because it is "historically inevitable". It is already to a certain extent here with the pictures from the period increasingly passing through the sale rooms of Europe and North America. This book should give wider understanding of this underrated but artistically exciting movement in Soviet art.

Read more about Russian Impressionism...

New Salt Lake City Gallery & Wharehouse

Good News! We are now fully settled into our new Gallery and Warehouse in downtown Salt Lake City and are ready to show you some great Russian Impressionist art. The majority of the works in the new Gallery have never been exhibited before!

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Mailing Address: 54 B Street, Salt Lake City, UT 84103
Tel: 801.755.7072
email: This e-mail address is being protected from spambots. You need JavaScript enabled to view it

Hours: By appointment or 6- 9 pm for Gallery Stroll (the third Friday of every month)

 

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Thomas Kearns McCarthey Gallery
444 Main Street
Park City, Utah 84060
Tel: 435-658-1691
Email: info@mccartheygallery.net